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The premier anthology of contemporary American poetry continues—guest edited this year by award-winning poet Edward Hirsch, a Chancellor of the Academy of American Poets and the president of The John Simon Guggenheim Memorial Foundation.
The Best American Poetry series is “a vivid snapshot of what a distinguished poet finds exciting, fresh and memorable” (Robert Pinsky); a guiding light for the mood and shape of modern American poetry. Each year, this series presents essential American verse and the poets who create it. Truly the “best” American poetry has appeared in this venerable collection for over twenty-five years.
A poet of decided brilliance since his 1981 debut collection, For the Sleepwalkers, Edward Hirsch curates a thoughtful selection of poetry for 2016 and an Introduction to be savored. Jumpha Lahiri said of Hirsch, “The trademarks of his poems are…to be intimate but restrained, to be tender without being sentimental, to witness life without flinching, and above all, to isolate and preserve those details of our existence so often overlooked, so easily forgotten, so essential to our souls.” Hirsch’s choices for this collection reflect the soul of poetry in America. As ever, series editor David Lehman opens this year’s edition with an insider’s guide and a thoughtful contemplation of poetry today.
- Sales Rank: #17015 in Books
- Brand: Scribner Book Company
- Published on: 2016-09-06
- Released on: 2016-09-06
- Original language: English
- Number of items: 1
- Dimensions: 8.37" h x .60" w x 5.50" l, .0 pounds
- Binding: Paperback
- 240 pages
Features
Review
"A 'best' anthology that really lives up to its title." (Chicago Tribune)
"Each year, a vivid snapshot of what a distinguished poet finds exciting, fresh and memorable: and over the years, as good a comprehensive overview of contem-porary poetry as there can be." (Robert Pinsky)
“A year’s worth of the very best!” (People)
"An essential purchase." (Washington Post)
"The Best American Poetry series has become one of the mainstays of the poetry publication world. For each volume, a guest editor is enlisted to cull the collective output of large and small literary journals published that year to select 75 of the year’s 'best' poems. The guest editor is also asked to write an introduction to the collection, and the anthologies would be indispensable for these essays alone; combined with [David] Lehman’s'state-of-poetry' forewords and the guest editors’ introductions, these anthologies seem to capture the zeitgeist of the current attitudes in American poetry.” (Academy of American Poets)
About the Author
David Lehman, the series editor of The Best American Poetry, is also the editor of the Oxford Book of American Poetry. His books of poetry include Poems in the Manner Of, New and Selected Poems, Yeshiva Boys, When a Woman Loves a Man, and The Daily Mirror. His most recent nonfiction book is Sinatra’s Century. He teaches at The New School and lives in New York City and Ithaca, New York.
Edward Hirsch is an American poet and critic who wrote national bestseller How to Read a Poem and Fall in Love with Poetry. He has published nine books of poems, including The Living Fire: New and Selected Poems, which brings together thirty-five years of work, and Gabriel: A Poem, a book-length elegy for his son that The New Yorker calls “a masterpiece of sorrow.” He has also published five prose books about poetry. He is president of the John Simon Guggenheim Memorial Foundation in New York City.
Excerpt. © Reprinted by permission. All rights reserved.
The Best American Poetry 2016 CHRISTOPHER BAKKEN Sentence
No one predicted we’d be sitting there,
just come in from a blizzard to that bar,
and three beached fishermen in the corner
would interrupt their beans to stare at us,
then return to eating, since we were strange,
but cold enough to be left alone,
and that to expect their calm dismissal
of our being there showed we understood
how things worked then, in the dead decades,
after most of the city had vanished
on trains, or had been drowned in foreign ports;
and therefore, when the priest arrived
with his ice-crusted shawl and frozen cross,
crooning mangled hymns, his head gone to praise,
we’d think it right to offer him a seat,
would carry his stiff gloves to the fire,
and fill his glass with wine and pass him bread,
and would suffer the blessings he put
upon the empty wombs of our soup bowls;
and who knew we’d pretend to sing each verse
of the tune he’d use to condemn us,
but would have no answer to his slammed fist,
nor the thing he’d yell to be overheard
by everyone there—when you stand this close
to the other side, don’t embarrass yourselves
with hope—as if that would be saying it all,
as if he knew we already stood there,
as if we could mount some kind of defense
before snow turned back to water in his beard.
from Birmingham Poetry Review
Most helpful customer reviews
10 of 10 people found the following review helpful.
Wonderful selection this year
By SympatheticEar
Last year I had trouble finding any poems I really liked. This year, I can't find any I dislike. A wide range of styles and themes, wonderfully crafted. I keep saying, "I wish I wrote that!"
0 of 0 people found the following review helpful.
Engaging and enthralling in its simplicity
By Sarah
'When someone dies, the clothes are so sad." With lines so simple and poignant as this from Emily Fragos, the collection of the Best American Poetry of 2016 took me by the hand and turned the pages for me, one after another through more than sixty poems. It is an incredible journey into a genre that I rarely dip into. With an eclectic range of styles from the most formal, academic, and even bizarre, there are words, imagery and narratives for all of us.
As I don't normally read poetry, not since leaving London University in my twenties, I appreciated the foreword by David Lehman who mixed the past understanding of the role of such writing and brought into the present. The following introduction by the guest editor Edward Hirsch reminded me that "poetry is not dead. On the contrary it is an art form that continues to thrive in unexpected ways, engaging and evading its own history, setting out on unknown paths."
This anthology took me down little know streets, into lives and emotions that are so detailed and dense with all the senses that it left me wanting more. More.
Bring A Chainsaw: (And Other Stories From My Solo Travels)
3 of 4 people found the following review helpful.
Edward Hirsch for the win
By Carolyn Stice
I purchased this book because of the guest editor, Edward Hirsch. He does an amazing jog of curating this collection. Take the time to read his introduction. As always, he is insightful, smart, and entertaining. I also really appreciate his philosophy behind choosing these pieces, as he was very conscious of trying to represent the diversity of the American voice. Sometimes this series is hit and miss, but this time was a definite win!
See all 20 customer reviews...
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